“Every great, simple image reveals a state of the soul.” — G. Bachelard

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Walking with the Wind

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All possible scenarios in all possible times—this is how we might read the world,
draw history out of itself, extract new narratives, and venture a few insights.

We navigate life amidst nature, its landscapes, and its transformations. Hugo Aveta immerses us in a universe of intimate, secret, and universal relationships—an allegory for the planet’s conditions.

Mud

Neither spring nor origin, space as a Theatrum Mundi where we see and remember by observing; where we attempt to grasp that underside of barbarism that, as Benjamin noted, lies within every document of culture.

Fragments of what calls us "civilized" crumble into the earth with latent life and power still dormant within their walls. They merge with the soil, disintegrate, and return to dust.

The Nest

A material archive—a biography of a world erected and ravaged by humankind. That space to inhabit no longer celebrates its destiny nor its origin. Those beautiful fossils now legitimize other times.

The Threat

"To see the world as a painting," Haine proposed—to forge a fictitious and poetic bond with reality, leap across distances and eras, and construct a discourse where tragedy hides behind beauty.

Between barbarism and culture, the flight of birds becomes light.

Darkness

The moment when certain certainties illuminate, make themselves seen, lay bare something that leaves us vulnerable and turns us into the target.

The Wind

Lelikën.wüta (Mapuche prayer)
Open your eyes. Listen to the rhythms that nature and the wind leave in our veins.

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Curator: Adriana Carrizo